New Clear Vision

Pathologizing War, Prioritizing Peace

by Michael N. Nagler

The recent British film, In Our Name, is a returning-soldier drama featuring a married woman, Suzy, who leaves her husband and little girl to fight in Iraq. Because she’s involved in the killing of a little girl during her tour (this part is based on a true story, but it happened to a man) she returns home only to steadily fall apart under the stress of soul-destroying anxieties.  Apparently not much has changed since Coming Home, the Jane Fonda film of 1978.

In real life, Ethan McCord was involved in a now-infamous episode that took a strangely similar turn. It became one of the most shocking (and hopefully awakening) revelations by Wikileaks: the video now dubbed “Collateral Murder” that was taken from an Apache helicopter as its gunners massacred a group of civilians in a Baghdad suburb in 2007. Addressing a Southern California audience about his role in the episode this past June, McCord described how he saw two small children mangled by gunfire from the helicopter and thought of his own two children at home. (more…)

Note to School Board President: Get Educated, Please

by Devon G. Peña

Joseph Campbell has long been one of my favorite scholars in the field of comparative religion and the study of mythology. I first encountered Campbell’s magnificent work as an undergraduate in, of all places, a Chicano Studies course on poetry taught by Alurista at the University of Texas in 1974. The work I personally encountered during that class was The Hero’s Journey, a book first published in 1954.

I discussed The Hero’s Journey with Alurista since I was already reading it. It is a book about myth but it is also about the human quality of resilience through the experience of discovery and loss, of how one adapts and grows from our journeys into the unknown, which begins with the crossing of thresholds or boundaries that mark the separation of the familiar from the unfamiliar. Alurista thought this could be used as an analog for understanding the role of Chicana/o poetry, that is, as an exploration across boundaries. Alurista thought that borders that are meant to separate may in the end dissipate before the power of the transition to a full humanity realized only through the acceptance of the “Other.” Poetry is the language we use to realize this more just and peaceful moral order. (more…)

Finding Good News Amidst the ‘Windy Militant Trash’

by Winslow Myers

The brilliance of the “Mad Men” television series lies in the crackerjack acting and script, but even more in the way the series dramatizes the paradigm shift of American women from gross subjugation to rough equality. In an early episode, protagonist Don Draper reluctantly allows his wife to consult a (male) psychiatrist, and then calls the doctor, who casually violates confidentiality. The series explains much about how the males of my generation often haplessly misunderstood or deliberately ignored the autonomous subjectivity of females.

This begs two questions: what blindnesses operating in the present cultural moment might be illuminated by talented scriptwriters as they look back from the perspective of 2040? And second, what is the vision that orients us as we work to ensure that there will be a future to look back from in 2040? (more…)

Let’s Forgive, Forget, and Find Some Genuine Relief for a Change

by Randall Amster

If we’re truly looking for paths toward managing debt and promoting economic stimulus — which is about stimulating optimism as much as anything else — then we ought to consider getting closer to the source and stop nibbling around the edges of governmental machinations and corporate malfeasance. Instead, let’s directly incentivize and bring relief to actual people, giving them a new start by wiping the ledgers clean and ensuring that their future decisions will never again have to be governed by the demons of debt. For the price of two massive bank bailouts, and in the face of an austerity regime that mostly punishes working people, we could essentially “bail out” every American from under a mounting pile of indebtedness. (more…)

War, Consumption, Aggression — Can We Make a Cultural Change?

by Jan Lundberg

When we think of the millions of U.S. Americans who have needlessly attacked or harmed millions of others in dozens of countries, and have harmed themselves — without fully knowing why — and when we acknowledge that many in the U.S. seem resigned to allow more of the same, one can extend this phenomenon to the nation’s population in general. We can call it a common trait, and find it to be a U.S. tendency upon historical analysis or reading between the lines of corporate news. Let us name the national condition confusion.Under this we can lump poor education, being propagandized, exploitation of the poor, rampant ill health, environmental devastation, and the rape of Mother Nature (and therefore of ourselves and our spirit). (more…)

Let’s Agitate for Jobs — Not War and More Weapons

by Judith Le Blanc

Something is missing in the swirl of news reporting on the debt ceiling deal struck on August 2 by the Congress and the President for close to $1 trillion in cuts in discretionary programs over the next decade.

Will the 58% of discretionary spending that goes to the Pentagon take a hit in the name of deficit reduction?

The short answer is not necessarily, not unless we are ready to rumble.

Even the Senate Armed Services Committee leaders Sens. Carl Levin and John McCain have no idea what the deal does to the Pentagon budget.

The cruel irony is the debt ceiling deal exempts spending on the wars in Afghanistan and Iraq, even though war costs are one of the biggest factors driving up the national debt by over a trillion dollars. (more…)

A Mother’s Art Brings Attention to Wrongly Convicted Young Men

by Jordan Flaherty

As the date approaches for the 10th anniversary of her son’s conviction, Sheila Phipps is hard at work completing a powerful and moving series of paintings that tell the stories of wrongly-convicted young men in the U.S. prison system.

Phipps, a self-taught artist in New Orleans, has been selling and displaying her work for more than 20 years. Her son is Mckinley “Mac” Phipps, the legendary New Orleans rapper who was convicted of manslaughter in 2001 and sentenced to 30 years in prison.

In collaboration with the Innocence Project, Phipps contacted prisoners across the nation and researched their cases. Once she read enough evidence to convince her of their innocence, she communicated with the prisoner and then painted an image of them.

Now, Phipps is unveiling a series of ten works, for a show called the Injustice Exhibition. Her use of color and framing varies with the inspiration, ranging from muted portraits to bright explosions of color, often capturing small details like focusing on a subject’s feet or hands. In the portrait of her son she highlights the gentle features of his face. (more…)