New Clear Vision

Queer Visions of Another World

by Jennifer Browdy de Hernandez

The news this week that Private Bradley Manning had come out as Chelsea made me think first that truth is way stranger than fiction, and second that it makes perfect sense that one of the most courageous warriors of our time would be a queer woman.

Gloria Anzaldua, who has been one of my heroines since I first read her seminal work Borderlands/La frontera back in the 1980s, always insisted that queer folk have a special role to play in bringing about a change in human consciousness — moving us from the patriarchal mold of the past 5,000 years or so to what she called “a new mestiza consciousness,” a much more holistic, inclusive, planetary awareness.

Anzaldua extended Virginia Woolf’s famous statement, in her anti-war tract Three Guineas, that “as a woman, I have no country.  As a woman, I want no country.  As a woman, my country is the whole world,” giving it a new queer mestiza twist: (more…)

Closing the Gap Between Tolerance and Acceptance

by James Russell

In the musical “A Chorus Line,” the audience follows a group of dancers auditioning for the chance to be in a Broadway chorus line. It’s a popular show about love, coming-of-age and struggle. Told in a series of monologues (and the occasional ensemble number), we eventually meet Paul, a young, gentle, Puerto Rican musical theater enthusiast. “And there was the thing of trying to hide it from my parents,” says Paul, “that was something.” The 16 year old could have been hiding anything from his parents — condoms, drugs, a flask of whiskey. But in this deeply moving monologue, he’s referring to his drag outfit. Paul is gay.

“A Chorus Line” premiered Off Broadway in 1975 between two notable events in the gay rights movement: the Stonewall Riots of 1969 and the AIDS epidemic. Both created a generation of aggressive and proud activists angered by the government’s willingness to bust a gay club, but complacency when it came to addressing a deadly epidemic. (more…)